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edition #003

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Dead Eye by Courtney Mason
Suburban Living by Jenny Chu
Hospital by Sean Thomas Dougherty
Out of the Bag by Zackary Chong

spotlight: transnationality

Medicine Line by Ben Blyth
On Mummy Leaving to Buenos Aires in August by Miguel Cullen
Mother Tongue by Monica Bason-Flaquer
portrait of us eating fish by Pei Jin Zhou
Refranes by Will Cordeiro

essay

The Flag in Its Labyrinth by Allie Hatton

Letter from the Editor
& Poetic Engineering of ‘The Home’

written by
Joseph Hamilton
editor in chief

Dear reader, beginning with edition #004, boundby will publish essays and reviews in response to new poetry, as a means of deepening the magazine’s engagement with poetics. We want to be a place for serious (playful) and relentless conversation between poems and the study of poetry. 

In light of this, and of edition #003’s spotlight category, here are some reflections on the home, assembled into a short essay, that I hope might deliver us, or at least me, out of 2025, and into another year of boundby

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Dead Eye

by Courtney Mason

In the movies it is graceful,
a peace sign of two fingers,
a gentle sweep of
the hand – but for you, no.


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Mother Tongue

by Monica Bason-Flaquer

I have lived twice as many weeks
as my son has days in this world.
He has more bones than me
but I have grown a whole new skeleton
since I moved to the country of his birth.


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Medicine Line

by Ben Blyth

Hour seven and the air tastes 
like microwaved eggs. Locked-in

the cabin lights pulse purple 
then orange then purple then blue;


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Out of the Bag

by Zackary Chong

      Wh           irlwind! Schrödi              nger in shambles !
Whirlw        ind! Front te
     eth       ! Wh         irlwind! Pandora       unlocked!       Whirlwind! H
                                                         iding fro         m the rainfall!


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On Mummy Leaving to Buenos Aires in August

by Miguel Cullen

She wore a fox fur stole, eglantine with brilliantine
        sick of furs
       he went bald    purée or was it    mousse a vision of neonoir gamusa or velour


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The Flag in Its Labyrinth

written by
Allie Hatton
managing editor

I could say that I’ve been thinking a lot about transnationality lately, but really it’s more accurate to say that I think a lot about transnationality in general. But for all that thinking, I can’t definitively say anything about it. I cannot define what it means to you, how the shape of its sound and meaning fit onto you like skin. I could copy out a dictionary definition, but were I to do so for a term so defined by its defiance of demarcation, I would feel that I had lost my way only two steps into the labyrinth…

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Hospital

by Sean Thomas Dougherty

What I never get used to is the odor
that rises from the rooms as if  a syringe
of blood and bile and bleach, or the music
or should I say muttering from the TVs, a gauze
of game show chatter, a victim in a wheelchair


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Refranes

by Will Cordeiro

No busque una buena 
palabra. No vague           

la tierra para un signo 
de Dios. Las colimas 


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Suburban Living

by Jenny Chu

Here are things I never told you. I liked your plastic birds from Tom Thumb. I liked
your jagged scribbles of planets. I liked your studio apartment on the shitty edge of



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