MY BIRMINGHAM
A Poem by Esther Bennett
Speeding along, the National Express meets the tangle of the spaghetti junction across the river Tame.
Connecting me to London. Birmingham to London. London to Birmingham. Connecting me to my Birmingham
Past the Aston Reservoir and the cement tomb of the Salford cycle track and then looming into view.....and dominating the grey, brown, blue.... Fort Dunlop. Gatekeeper of our second city.
Past the long, low engine sheds.
‘What are they for dad?’
‘It’s where they make string’
And I believed him for years.
Queensway, ring way, underpass and subway. All point Rotunda way. Memories of walkway through the dark belly of the Midland Red Bus Station, dodging pools of diesel and squashed chips and....up the escalator to The Bullring Shopping Centre.
An air conditioned crypt of broken light bulbs, hanging neon shop signs (dead and dulled by the 90s), no longer a template but stark, drab and dingy, serving only to typify a decaying city
The sand-stone city ridge declines steeply into Digbeth and it’s lurkish coach station. Waiting, in all of it’s dark brick dank and smelly glory, for me, to come home.
It's what you knew and know, rather than the new, that makes you love.
On to the suburbs. Handsworth to the North. ‘Walking along just kicking stones' to the South.
My side of town. Sparkbrook, Moseley, Balsall Heath.
The Irish, the Jamaican, joining the workforce and bringing the ‘craic’ and the reggae beat.
‘On the threshold of a dream of a promised land, people of all nations walking hand in hand' down the Ladypool Road, once with a pub on every corner, to refuel those that worked to rebuild a Birmingham that town planners constantly pull down
‘Four bunches a pound’
‘Four fer a pound’
‘Four fer a pound, two fer fifty’
Now, the Balti Triangle rings to the Bhangra beat and sounds of the Punjabi diaspora.
To the Grind Core. To the Hard Core. To the irony tinged Futurism. Goldie. God Flesh. Heavy Rock and the Birmingham sound.
All coming back to.....the sound.....
Of Metal!
All resonating to the industrial pulse of the city. Echoing to the noise of anvils To the sound of the Factories
Whilst birds sing an empty whistle in all those that have closed
Red brick greenhouses for the wild to wander in and grow.
Some bright and redeveloped, some desolate and bleak. Stoic and still standing windows broke like jagged teeth.
Weather beat and crumbling as nature takes a hold. Bradford Street, Digbeth, canals and Coventry Road.
Council estates, tower blocks, launderettes and Spars. Tangled swings and roundabouts stand still in empty parks
Waiting.....waiting....waiting.......For the new!
A Statement by Esther Bennett on her process
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This spoken word piece describes the Birmingham I grew up in; through the 1970s and up until the turn of the century, just before the Bullring Shopping Centre built in the 1960s was torn down. It is a labour of love, developed over 2 years of visiting, revisiting and research and is an homage to my hometown and it's musical, industrial, multicultural and working-class history and of how that history has informed its music and created a Birmingham sound'. I was born in Sparkbrook, went to school in Birmingham and studied at Bournville Art College. I moved to London when I was 18, where I studied Art, Theatre, Music and Dance. I have been a professional jazz singer for 25 years.
During lockdown, like many other people, I had the time to clear cupboard and sift through memorabilia, photographs and notebooks. This got me thinking about my life so far and its creative path and history. I got fascinated by the musical history of Birmingham and of the history of the Bullring shopping centre, the 1960s architecture, The 1970s pubs and the grimness of the 1980s. I visited over the 2 years of lockdown (during the periods of restricted opening) exploring and revisiting home, familiar places and my past.
I took lots of photos of used, re-used and still working old factories - mainly around the canals through Digbeth which is my side of town (Birmingham South) and got in to searching the internet and YouTube for videos of old Birmingham and its night life (mainly of the early 80s) looking for pubs and clubs I used to go to.
All of this informed a spoken word piece I was developing for my new album "Home is Where the Art is"
Home Is Where The Art Is
Released on ​33 Jazz Records ​November 4th 2022
For this track, I wanted to use the music of long- term friend and composer Didier Messidoro
https://open.spotify.com/artist/3ci8lRrnCE5oGBDbdxsI0e
I wanted to explore the use of spoken word and poetry, and Didier's filmic pieces are a perfect landscape upon which to lay words and sound.
The original music very much shaped and dictated the lines and and phrasing of the piece though when performing it live it can be adapted to the musicians I am working with and has a more improvised nature. It can also of course, be performed acoustically as a piece of poetry.
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